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____ ACT II Scene 1 We must imagine that an hour or more has passed since the end of Act I, for it now is nearly daylight of the 15th of March. I have heard, Where many of the best respect in Rome, Except immortal Caesar, speaking of Brutus. When Lucius has gone, Brutus speaks one of the most important and controversial soliloquies in the play. CALPURNIA. They demand to know why the men are not working. Imagery is a literary tool that uses vivid descriptions to portray a scene. What Are Some Examples of Simile in "Julius Caesar"? Julius Caesar analyze the imagery, dictation, and style analysis in this soliloquy? Within moments of Caesar's first appearance, he is hailed by a Soothsayer who delivers an ominous warning, saying 'Beware the ides of March.' (1:2) Caesar's very first action in the play is to position his wife close to Antony during a race, thinking it will break her 'barren curse', and in Act 2 Scene 2 Calphurnia's dreams prompt . The chosen men of the court meet to discuss the plot. The leading characters in the play are all public figures, and as such they are practiced speakers. Imagery: Caesar is telling his wife to stand directly in Antony's way. Lucius, Brutus' servant, brings him a letter (planted by Cassius) he has found in Brutus' private room. The old Anchises bear, so from the waves of Tiber. Caesar, in his home, prepares to go to the Capitol. 5. Let us leave him. Julius Caesar: Symbols, Motifs, Imagery and Allegory - Shmoop He says that he has "no personal cause to spurn at" Caesar, except . It is supposed to make the story,tale,play,etc funny and humorous. See in text (Act I - Scene III) Republic. A little later Cassius hears a clock strike three. And evils imminent, and on her knee. Read the excerpt from Julius Caesar, act 2, scene 1. ACT 2. Your hidden worthiness into your eye, That you might see your shadow. Add an answer. She's alarmed by the storm—which she sees as directly related to death, with ghosts shrieking in the streets and warriors . And, gentle friends, Let's kill him boldly, but not wrathfully; Let's carve him as a dish fit for the gods, Not hew him as a carcass fit for hounds; And let our hearts, as subtle masters do, Stir up their servants to an act of rage, And after seem to chide 'em. Banquo's son, Fleance, couldn't sleep. Read Modern Translation Of Macbeth: Act 2, Scene 1 It must be by his death: and for my part, 10 I know no personal cause to spurn at him, But for the general. Julius Caesar Symbols | LitCharts